Wednesday, September 20, 2006

Dennis Rollins and Badbone & Co. LIVE

An amazing night was had by all seeing Dennis Rollins and his great band, Badbone & Co.

They performed at the Drum, an Afro-Caribbean arts centre in Birmingham on Sunday 17th September to a capacity crowd.

We were treated to a selection of new music from his latest album, Big Night Out and the infectious energy of Trombone guru Dennis coupled with his funky band, ensured I couldn't keep still all night. My favourite track of the night was 'Funk & Disorderly' - introduced by some cooking New Orleans inspired bone and organ and featuring a great funky groove that had everyone moving.

The highlight for me however was the chance to jam with Dennis and the band for the second set. A selection of fellow horn players, MC's and poets kept the vibe running.

All in all, Dennis and his band is a must see and the new Cd should be on everyones must have list.

Tuesday, May 02, 2006

Labour Party Political Broadcast 2nd May 2006

This is written in response to the Political Broadcast by the Labour Party in the UK prior to the Local Government elections on 4th May 2006.

When listing your successes, it is important that they stand up to scrutiny and cannot be easily refuted. However, on watching tonights broadcast it is so simple for me to pick holes in it. Take just these points:

1 - Don't use a BMW mini in Union Jack colours as the symbol of Britain unless it is a symbol of the failure of the DTI to intervene in the loss of the Midlands car industry.

2 - Introduction of the minimum wage. Whilst generally good, a few questions asked of your local small business would show that whilst they can recruit and pay young people properly, when they reach 21, they are unable to justify the additional cost of staff of that age and so replace with 18-21 year olds. A high turnover of local workers? An already disenfranchised group with little unionisation suffering from a broad brush policy.

3 - Support for the culture and arts - As an professional musician, the recent move by the Inland Revenue to backdate Class 1 National Insurance for employers of freelance musicians has put the hurt on our orchestras. It has disable their planning as well their pay negotiations.

The labour party may be working, but only just. It remains to be seen if it's better the devil we know or not.

Friday, November 04, 2005

Review of The Life Of Galileo by Bertold Brecht, translated by David Edgar. Starring Timothy West. Thursday 3rd November 2005

The Life Of Galileo by Bertold Brecht, translated by David Edgar. Starring Timothy West. Thursday 3rd November 2005

I have not been to the theatre for a long time, but as professional musician I am used to the hubris of an audience that likes it culture. However, it was a pleasure to see such a mix of age and class at this event.

Like most people, I have a passing familiarity with the work of Galileo, so to see his life enacted on stage in a dramatic setting was something I was looking forward to.

I found the play engaging; a complex subject (with some philosophy thrown in) was explained well and the telling was brisk, informative and occasionally humorous. The first half was marred by Timothy West fluffing quite a few lines of what was a detailed and difficult script and the pace was relentless. The second half dwelled more on some dramatic scenes and West was nearly flawless in delivery and acted his socks off in the penultimate scene. To be in a room with a few hundred people who are totally riveted by a performance is quite something.

The music score by Matthew Scott was excellent, with songs providing a linking narrative although I would have preferred live musicians rather than the plastic midi sounds used on the recording.

All in all, a good experience and one I will repeat. Well worth a night out, especially when Timothy West isn’t breaking someone else’s false teeth.

Wednesday, November 02, 2005

Buyer Beware!

Most of you that are online cannot fail to have noticed how popular online auctions are becoming. Now used by upwards of 100 million people, the well-known site Ebay, is fast becoming a part of all of our lives.

Buying and selling is so easy, especially as they also own Paypal, an online banking service that allows vendors to receive credit card payments on a pay-as-you-go basis without having to set-up a costly merchant account. I myself have been able to track down hard to find CD’s and LP’s as well as books and DVD’s. As a vendor, I have been selling my compositions for 6 months now and have a steady trade with many returning customers.

To sell an item all you need is a photo, a clear description, a realistic price and then just sit back and wait for the bids to roll in. From cars and houses through to scalextric and monopoly, you can buy or sell practically anything.

Given the ease of the selling system, it could be open to abuse. I had a recent experience with an online auction website that has left me tearing my hair out. In April this year, I saw a fantastic trombone for sale. It was quite obvious from the price and description that the vendor did not realise the potential value. I successfully bid £460 for the trombone, plus £30 for delivery. I later find out that the instrument was stolen from a friend of mine and that the vendor was also selling other items from the robbery. After Police statements were given, I was told to wait before dealing with the auction site regarding return of property and feedback to the vendor. Eventually the Police have decided not prosecute due to lack of evidence. It has also turned out that the vendor has stopped being a member of the auction site.

In most cases of a dispute, auction sites rely on feedback given by buyers and sellers to police minor problems. For example, late delivery or incorrect goods can be handled by leaving a negative feedback. This then later hurts the vendor as the more negative feedback there is, the lower their score and the harder it is to be trusted. In extreme circumstances a dispute process can be initiated and compensation can be given.

In my particular situation, the Police would not prosecute due to lack of evidence, although they had serial numbers, and the name and address of the vendor; I could not post negative feedback as the vendor had given up membership of the auction site; no compensation was available as the sale did not violate the terms and conditions of the auction site! So now I am left with an instrument that I can never sell as it is stolen, the original owner wants it back but is obviously not keen to pay and all the fail-safes from the auction site were useless.

I believe that the auction websites are ideal places for unscrupulous individuals to deal in stolen goods. The websites are not doing enough to stop this illegal trade. Since my incident, I hear of more dodgy deals including the selling of bootleg CD’s and other stolen goods.

I call for these online auction houses to change their ways. There is already a mechanism in place when selling cars and CD’s where you can enter serial numbers or registration numbers into a database. The database then provides a great deal of information allowing accurate description of your item. Certainly it should be easy to ask when anyone sells a musical instrument for example that they must provide a serial number. That would allow anyone to check out the validity of the instrument and avoid being party to a criminal act. Of course, this only works for instruments that actually bear a serial number, classic string and folk instruments are not so identified. However, an effort by online auctioneers to help stop the sale of stolen instruments, would, in my opinion, greatly increase the confidence of it’s users.

Andy Derrick

Andy is a 32-year old trombonist based in Birmingham. He works mainly as a Jazz trombonist but also freelances as an orchestral musician through the country. His group, the ADJQ have just released a CD, ‘Fancy Goods’. More information on Andy can be found at www.adjq.co.uk

Thursday, November 04, 2004

What do you have around you when you work ?

I usually spend a few days a week at home for some web design and music promotion work. I usually set myself up with some food from the bakery and some coffee. Also I have a gargantuan playlist on my mp3 player. This week I am listening to an eclectic mix of Madonna, Janacek, War of the Worlds, Duke Ellington etc.

What do you have around you when you work? What kinds of music or food or people ?

Thursday, July 15, 2004

Inaugural Posting

Hi there,

This is my first blog and I want to hi to anyone who reads this.

Here is a place to chat about jazz music performance and listening, working as a musician in the uk and related other things.

I will post more thoughts soon

Cheers,

Andy